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That's how the movie came into being!These server links may change according to the movies you’ve selected. He immediately claimed it a winner on cards and was was surprised that it was turned down and asked to make the film while on a telephonic conversation with me at Eldams road. Outlander (2008) Telugu Dubbed Movie.Dasavatharam was a script which was declined by many directors who said they didn't understand it , and quite unexpectedly Mr Ravikumar jumped at it.
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For Dasavatharam it wasn’t any different and thus I wanted to take Mr Mukta Srinivasan's opinion as he has string instincts and is a brilliant short story writer.Gautami filmography. Tamil Full Movie Dasavatharam Gemini,K.R.Vijaya Full.Most of the time I work alone and like to take the opinion of seniors and well wishers while on a project. Dasavathaaram Tamil Movie Full Movie Compilation Scenes Online Movie Scenes. Jurassic park game pc ep 3 the depths part 1 1080p pc hd indian songs 720p free download dasavatharam full movie telugu 1080p video media player 1080p. Dasavatharam movie telugu online dasavatharam movie telugu dasavatharam movie telugu songs dasavatharam. Website: There aren’t a lot of Professional sites to watch free movies online without downloading.Dasavatharam Full Movie Telugu 1080p Hd.
Mr Michael Westmore bent over backwards and did a stupendous job during the trial. Any producer would have found it ridiculous that the director and I went to the US for 21 days to do make up tests for all the looks, but we did it. The rest were new to the ideation ,scale and budget. My biggest support was from Mr sujatha who said " you got it bang on man". It was a very important exercise as they are all are experts and have the expertise to analyze the script. We had Mr Sujata, Mr Madhan, Mr Ramesh Arvind, Mr Crazy Mohan all sit with us for a narration and I answered all the questions they kept asking.
However I had to stop him by telling him that people would not find a need to go to a cabaret or a strip tease if the advertising posters had images from the final climax and there is nothing further to entice them in! I knew we had something precious and convinced him to hold back and am grateful he understood then. Our producer was enthusiastic to immediately release all of the 10 looks in the media. During the process Mr Ravikumar realized the full scope of the looks and immediately engaged a photographer for $250 a day to record each look. Sometimes I did two different looks /make ups as we were building the makeup in layers and it was done in a lab.
I gave Mr Ravichandran some of my rights to the film as I ALWAYS invest in my movies and we were partners in the film and he had seen my vision to fruition and we pulled off what was near impossible then.That's how Dasavatharam was made and saw completion. However, Mr Ravikumar had fully understood the script and fought tooth and nail to get the climax done as scripted originally and we spent the additional 1 crore. But I was willing to do it’s I had to have an alternative our producer You must remember here that I once made a film named Vikram which was then called 'oru kodi rubai kanavu', but within two decades it was about a crore more for just one sequence,but that's the evolution of cinema with technology. I offered to rewrite the script without the tsunami and end it with the train sequence , but the butterfly effect would have been lost.
I am not being myopic to budgets, it is just that I am grateful to each and every technician who stood by me and made me achieve my vision. We had so many other good technicians who weren't able to come on board.The entire concept of the film was new and challenging , like just the first 10 minutes sequence in re creating a period cost 2.5 crores which was new to everyone. I remember that Mr Jeeva was supposed to be the cinematographer but couldn't take up the project.
So also Pushpak , which had two visionaries and a businessman as producers helming it and hence it was done in a small tight budget and yielded great results.Mr Westmore is a master of his craft and believes in least intervention with reality while creating a look and I consider him my Guru. It was not done by just a number crunching producer, but a visionary too. If you believe in something , it can always be achieved and example from way before is Aboorva Sagotharargal.
Mr Westmore's contribution to the film is equivalent to mine. Naidu was so simple yet went up a notch because of the accent. So much so he asked me why I had decided to name the samurai Shingen Narahachi and i had to explain to him how I am weaving in mythology and this character was an analogy to the Narasimma avatar and hence 'Shingen' like 'Narasinghar’It was amazing how he made my round eyes into beautiful Asian flat eyes to give me the perfect look for the character.
I was like a tortured animal and wanted the scenes with the paati character to finish soon. For the latter he gave me a cataract eye and I couldn't see. The easiest to carry off was Naidu and the most debilitating was Krishna paati.
We wanted to make a masterpiece and we didn't look at money or fame , just our contribution to the art of cinema. It is basically two footboards on either sides and the elephant actually felt very comfortable with the footboards pressing into it. It was novel for us , but done in history where in the body Guards would protect the king while on an elephant. For example the two guards standing on either sides of the elephant was designed by me.
The BGM was by Mr DSP who was a bundle of energy and fun to work with. We never worked together again , but he proved a point with his good work then. I was very embarrassed as I was conducting a group of singers here to record it and send it to him. He allowed me to render the palandu palandu bit and added it as a overlap to his music. He delivered surprises like Mukunda Mukunda and Kallai matum kandal which were big hits and wasn't like anything he did before. Worried by this , the producer said he will suggest names and suggest Mr Himesh Reshammiya and added on Ms Mallika Sherawat too as his suggestion.Mr Himesh did a wonderful job with the music when it was a time the press wasn't very supportive of him.
Everyone worked with enthusiasm and enjoyed the process of being a part of a novel project. We had so much fun working together that we decided to carry on the collaboration with him, the director and myself on to Manmadhan Ambu.We did not have good budgets for any of the artists/ technicians who came from overseas as with the conversion rates it was much lower to what they would get otherwise , but no one complained.
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